Not so long ago we were leading an easy life of sophisticated urbanites in a rented Leather District loft in Boston. We were cultured people. Or at least we tried to be in a city that goes to sleep at 10pm, wakes up before sunrise and then complains that the hip crowd has moved to New York. Mother nature in its infinite wisdom did not give us genes for music, but it endowed us with enough talent for random hacking that we could afford to attend live performances on a regular basis.
Club Passim, carefully hidden in a maze of streets known as Harvard Square, is a great place to catch a relaxing folk gig. And they make mean flat bread too. On most days you can just wander in and spend the evening listening to a bearded guy singing Irish ballads or someone playing an instrument you never thought existed.
I prefer listening to people that are not yet famous (or are no longer famous). It's not like they are any less talented than what's relentlessly promoted on the radio, and you can sit close, listen to some stories, chat with the performer afterwards and buy a personally signed CD when it's over. And, by the way, Passim in its long history saw the likes of Bob Dylan, Joan Baez, Tracy Chapman, Susan Vega and more recently The Weepies - people performing there are not exactly in a shabby company. One summer night we've sat at Passim sipping Cambridge beer and listening to funnyish stories and saddish songs of an amazing singer Antje Duvekot.
We are no longer sophisticated or urbanites. We drive across the country in a truck that gets dirtier with each unimproved road Natalia insists we take. After sunset we arrive at dilapidated motels in towns whose names we wouldn't recall the next day if we didn't mark them on the map. The only chance we had recently for live music was a piano recital of our friends' kids, which by the way turned out to be surprisingly good.
We still have one iPod. The other got stolen just like the cello from Antje's song. We usually set it to play random song mode. I don't think it's random by the way. It seems to have a mind of its own: yesterday it decided to spend an afternoon drawing from our vast selection of Polish 80s rock. Not the worst decade for music but combined with a long drive through desert it tends to bring out too much nostalgia. And though - unlike Antje - we left our guitar in Vermont, her Long Way is one of ours and our iPod's favorite. I even declared it an unofficial anthem of our trip. It would be the official anthem but we are not big on ceremonies and such.
Antje writes and sings about pretty much everything. But specifically in Long Way she sings about this country in a way that no-one born here could. You don't really appreciate the vastness, the beauty, the emptiness, the glamour of this land until you find yourself on the road somewhere in the middle of Nevada and realize that that you did not see another vehicle for at least an hour. And that you just passed the fourth mountain range today leading to yet another breathtaking desert basin. It really is a long and the most unexpected way.
The reason I am writing about it now: Antje is planning to record another studio album this summer and she set up a kick-starter campaign. You can sign up for a signed CD. Or you can even donate enough to have your own personal house concert. Although I doubt that anywhere in the continental US offer includes our
overloaded truck on a random county road. But if you cannot at the moment drop everything and just get on the road, listening to Antje might be the next best thing, so give her a chance to amaze you and contribute. As for us - we are slowly driving north towards Montana which this year keeps her secrets frozen a bit longer than we hoped.